This is my favorite TV show of the summer. The eight-part miniseries follows André Holland’s struggles to keep his Parisian jazz club afloat during terrible times. The murky plot is complicated further by lines mumbled in English, French, and Arabic. But brilliant musical scenes dominate. They’re filmed “in loving detail,” with “incredible solos and moments when the whole band comes together to form something almost transcendent” (Roger Ebert). To critics who panned it: “Sometimes you have to be careful to avoid criticizing a series for not being what you want it to be, instead of what it is” (LA Times).